You want to complain about the costs of the ACA, when it costs ’$1.45 million per vote to repeal the Affordable Care Act in the House of Representatives’. It was 55 mil WASTED at 33 votes - so that’s 79.75 mil now. It’d be nice if some of the House decided to work on more important matters than repealing the ACA. According to a Harvard Study - “public health care spending will be as much as $770 billion less than predicted.”
Beth Cavener Stichter’s (Hi-Fructose Vol. 26 cover artist) sculptures have an intensely-visceral quality. The ceramic animals she hand-builds demonstrate an human-like sense of understanding with their sensitive gazes and anthropomorphic eyes. But despite their thoughtful countenances, these characters are also perfectly at home in their animal skins. Cavener Stichter’s work does not shy away from the brutality of the animal world, from its untamed sexuality to its endless cycle of predator and prey.
She recently collaborated with Italian artist Alessandro Gallo (previously featured in Hi-Fructose Vol. 24), who embellished her latest sculpture, Tangled Up in You, with painted tattoos reminiscent of traditional Japanese tattoo art. The 65-inch-tall sculpture (15 feet total, from the top knot of the rope to the floor) shows a lanky rabbit intertwined with a snake in mid-air. It is unclear whether the two figures are caught in a struggle to the death or a passionate embrace. Tangled Up in You is currently on view at the Milwaukee Museum of Art. Take a look at some detail shots of the elaborate piece as well as some photos of Cavener Stichter in her studio.
Created from nearly 4,000 pieces of metal scraps, Aslan, is a recent sculpture by Istanbul-based artist Selçuk Yılmaz. The piece took nearly a year of work and involved hand-cutting and hammering of each individual metal piece. The final work weighs roughly 550 pounds (250kg). While we’ve seen dozens of artists use multiple components to create a final form, it’s worth noting how well the bent mental lends itself to the final shape of this impressive cat.
In September 2004, French police discovered a hidden chamber in the catacombs under Paris. It contained a full-sized movie screen, projection equipment, a bar, a pressure cooker for making couscous, a professionally installed electricity system, and at least three phone lines. Movies ranged from 1950s noir classics to recent thrillers.
When the police returned three days later, the phone and power lines had been cut and there was a note on the floor: “Do not try to find us.” (via)
nO YOU DON’T UNDERSTAND THIS ENTIRE CINEMA WAS HIDDEN BEHIND AN UNDER CONSTRUCTION SIGN THAT LEAD TO A CHECK-IN DISK WITH A FULL CCTV HOOKUP THAT WOULD TURN ON AND RECORD ANY UNREGISTERED VISITORS. AND IF SOMEONE SNUCK IN? A TAPE OF BARKING SECURITY DOGS WOULD BEGIN TO PLAY.
BEYOND THE CRAZY FRONT DESK AND THE MOVIE THEATER, THERE WAS A STOCKED BAR AND TABLES AND CHAIRS, MEANING THAT AFTER CATCHING A FLICK IN AN ILLEGAL PARISIAN CATACOMB THEATER, YOU COULD THEN EAT COUSCOUS AND SIP A COCKTAIL NEXT DOOR. THERE WAS A PROFESSIONAL ELECTRICITY SYSTEM SET UP, AND AT LEAST 3 WORKING PHONE LINES. THIS SHIT WAS LIKE A BOND VILLAIN.
BETTER YET? IT WAS RUMORED THAT THE PLACE WAS SET UP BY THE UNDERGROUND FRENCH ART GANG UX “Urban eXperiment”, WHO NAVIGATES THROUGH THE PARISIAN UNDERGROUNDS AND ILLEGALLY RESTORES ABANDONED WORKS OF ART, ALONG WITH HOLDING FILM FESTIVALS IN THE BASEMENTS OF GOVERNMENT BUILDINGS. THEY EVEN RELEASED A SHORT FILM ABOUT THEIR WORK RESTORING THE ICONIC PANTHEON CLOCK OVER THE COURSE OF ONE YEAR. NO ONE SUSPECTED THEIR INVOLVEMENT, UNTIL THE CLOCK BEGAN TO WORK AGAIN AFTER 60 YEARS OF RUSTING.
IF YOU DON’T THINK CATACOMBS AND THE PEOPLE WHO HANG OUT IN THEM ARE SOME OF THE COOLEST FUCKING THINGS IN THE WORLD THEN I IMPLORE YOU TO EAT SOME COUSCOUS AND RECONSIDER.